Museu Nacional d’Art de Catalunya, Public domain, via Wikimedia Commons
I chose today’s picture because these Wednesday Story Connection posts (along with the What’s Up Wednesday ones) are going to take a siesta during the month of August. My hubby is on vacation, and I plan to take a few days off to do things with him. I am also behind on writing projects, so I need to free up some time for that. I plan to pick up the Wednesday posts again in September – probably mid-month.
I was able to remember a story where Mr. Darcy sleeps in a chair next to Elizabeth’s bed, and I have extracted a portion of that story below for your reading pleasure.
Waking to Mr. Darcy is in Kindle Unlimited, so it is only available on Amazon. If you don’t already have this book in your library, I decided just now to set it to free for one day — TOMORROW, August 8 — as a totally random surprise.
Images taken by me (Leenie Brown) at Uniacke Estate Museum Park, Nova Scotia
Today’s excerpt takes place in the study at Longbourn so I thought I’d gather a few images of different desks and desk items I’ve taken pictures of over the years when visiting various historical houses. However, I found that I only needed images from one historical house.
These pictures were taken at a Sunset and Shadows a few years ago at Uniacke Estate Museum Park. That evening, those in attendance were allowed to go behind the ropes and into the rooms. We were even allowed to peek inside drawers (that’s how I got the top middle picture) and cupboards. It was wonderful getting to see and photograph the rooms from different angles.
Uniacke Estate was built as a summer home between the years 1813 and 1816. The study is a small room with lots of interesting things in it. More things than I have pictured. The gentleman who owned the home, Richard John Uniacke, was, at one point in his career, Nova Scotia’s attorney-general. So, as you might imagine a study would have been an important room for such a man. And the shelves were lined with many legal books.
I have no idea if Mr. Bennet had any books in his study that would also have been on Mr. Uniacke’s shelves, but I do think he would have loved the little room with it’s desk, chairs, walls of books, and scientific equipment.
It is Mr. Bennet’s study in which the following prologue to Not an Heiress is set. This prologue lays the foundation for the scheme that will play out in the book.
I must warn you a little bit about this book. If you like your reading to be squeaky clean. This one is not that. It’s clean, but it’s closed door/fade to black clean. The hero and heroine do fall into a compromising position or two over the course of the story and we know that impropriety has taken place. There is no sex on the page but there is off the page and before the couple is married.
And if you expect all good-girls like Mary Bennet who read sermons to always be good and beyond the temptation that is presented by a handsome officer, then, this book is going to disappoint you because even good-girls can fall prey to desires when circumstances are arranged to leave no means of escape. 😉
However, if you like a different sort of Lady Catherine who is fun, that you’ll find in this story.
Not an Heiress is set in the spring around Easter a few years after Darcy and Elizabeth are married and is a sequel to Discovering Mr. Darcy in which Lady Catherine with the help of Colonel Fitzwilliam scheme to see Darcy and Elizabeth happily married. In this book, it’s Richard’s turn to find his happily ever after via a trap laid by his aunt.
Peonies (1915). CC Curran, Public domain, via Wikimedia Commons
I think I’ve discovered another painter to add to my list of favourites! This gentleman’s work is beautiful! It’s full of life and movement.
This painting made me think of Master of Longbourn because peonies are mentioned in that story. In fact, I find the scene in which they are mentioned to be quite as lovely as the flowers in the painting above – but then, I’m partial. I’ll let you judge for yourself as I am including the full chapter below. (It’s chapter 8 which is about 3/4 of the way through the book.)
Master of Longbourn is a sequel to Mr. Darcy’s Comfort and is the tale of how Mr. Collins becomes the master of Longbourn and finds not just his happily ever after but who he is and where he belongs. I found myself growing to love this version of Mr. Collins as I wrote this story. I hope you will find him to your liking as well.
Today, I’m not giving you a short excerpt to read. I’m giving you the whole first chapter of Assessing Mr. Darcy. This book is the final entry in my Dash of Darcy and Companions collection, and you can download it today for FREE from Amazon. (Today, August 9, only. It goes back to regular price tomorrow. However, it is also available to read in the Kindle Unlimited program.)
As you will see from the chapter below, Mr. Collins is not Mr. Collins in this story, but rather William Bennet.
I think you’ll also figure out why I decided to pair the above picture with this book, but I have to ask: Do you suppose the lady in the painting is spying on her new and handsome neighbours like Elizabeth is? 🙂
Yesterday, I was talking with a couple of people about Finally Mrs. Darcy, and afterward, the song “Ten Minutes Ago” from Rogers and Hammerstein’s Cinderella popped into my mind as I was thinking about Darcy and Elizabeth’s whirlwind reunion to married story in that little novella of mine. It seemed to be a good pairing, and I decided I would share that song and novella today as my story connections post.
As you can see (and hear), between making that decision and creating this post, I changed my mind about what song I was going to share.
I went to YouTube, typed in my search info, listened to a recording studio sort of video of the song I was looking for, and then saw the title for this song. I suffer from excessive curiosity at times — today was one of those times. 🙂 I clicked on the video and by the time the song was half over, I had changed my mind that this song might be an even better fit for Finally Mrs. Darcy, since both the song and the story play with the idea of time — looking forward and back.
And I think it still captures the elation and hope that Darcy and Elizabeth feel mere moments after meeting again at a ball and beginning, though never finishing, a dance.
