Morning Dress for October 1802

Morning Dresses for October 1802. Wirgman Dress Makers, Hanover Street, Hanover Square, England, London, 1802. From The Lady’s Monthly Museum. Hand-colored engraving on paper. Los Angeles County Museum of Art, Public domain, via Wikimedia Commons

“Miss Bennet.” Lord Matlock stood behind his desk and motioned to a chair. “I am expecting my solicitor soon, but if your business is of a quick nature, we can discuss it. I do not, however, see how we can have any business to discuss, you being a woman and all.”

“I thank you for your time, my lord.” Kitty smoothed her skirt. She had taken care to wear her best dress today. “I assume you, as any good husband would, see to the bills acquired by your wife’s purchases?” She paused for a moment while he confirmed that he did. “I will also assume since I have heard that you are often seen with her in public that her appearance as she stands beside you is of great importance. I mean, one cannot be looked upon as a great man with a wife who is wearing last season’s styles.” Again, she waited for his acknowledgment of the fact. She knew from spending so much time with her youngest sister and her aunt Philips that appearance and appealing to one’s sense of position and popularity could be used judiciously to achieve the desired end.

She tapped the packet of papers on her lap. “I have with me some designs for dresses that I happen to know your wife adores.” She sighed. “I have been considering keeping the sketches for myself instead of selling them to the modiste whose shop your wife frequents. In fact, I stopped by that very shop to collect these just this morning.” She closed her eyes for a moment and rubbed near her eye. “Forgive me, I have a slight headache.”

His eyes had been drawn many times since she entered the room to the gash on her forehead, and they were there once again.

“I know it must look a fright,” she explained, gingerly touching the scar, “but it is in such a place that I was unable to cover it with my hair.” She chuckled softly. “It shall only look worse as it heals, I suppose. Bruises are never pretty.” She smiled and opened her pack of papers. “But we are not here to discuss my beauty or lack thereof but that of Lady Matlock.”

He blinked and turned his attention away from the wound on her head for a moment. “Why should I be interested in designs?”

“Because, my lord, you have the power to decide if your wife will get to wear my designs or if they will be tucked away or, perhaps, provided to another lady.” She flipped through her designs. “She was particularly enamored with this one.” She placed it on his desk. “She would look lovely in it, do you not agree?”

He picked up the sketch and examined it. “How is it that I have this power?”

Kitty’s stomach fluttered, and she was unsure if she had the courage to continue.

Lord Matlock placed the paper back on the desk. His eyes once again found that gash as he waited for her answer.

“You, my lord, have something I want.”

[from His Inconvenient Choice]


Coming soon…

Ball Dress (c. 1825, Ackermann)

Fashion Plate (Ball Dress). England, London, March 1, 1825. Hand-colored engraving on paper. Rudolph Ackermann (England, London, 1764-1834). Los Angeles County Museum of Art, Public domain, via Wikimedia Commons

I couldn’t resist giving a longer excerpt today as this exchange is just too fun to shorten any more than I did. 🙂

“I am sorry,” she said softly, “but I was hoping for someone else to claim my hand for the next dance.” Her cheeks grew rosy.

“No one has asked you,” Shelton muttered.

“No, but if I give this dance to Mr. Blakesley then I will not be free if another arrives to ask.”

Roger Shelton’s brow furrowed. “You did not mention this before.”

“Because I did not know the gentleman’s name. One must not speak of a hope to dance with someone to whom she has not been introduced.” She cast a glance in Mr. Norman’s direction. “However, that is no longer a problem.”

“Norman?” the question flew out of Walter’s mouth.

Grace’s head bobbed up and down. “Though it is forward to even admit to it.”

Forward was not the word Walter would use for it. “Well, then, Norman, do not keep the lady waiting.” Walter knew his tone was less than gracious.

Grace put a hand on his arm but then withdrew it quickly. “Do not be discouraged, Mr. Blakesley. It is not that I do not wish to dance with you. It is just that I had hoped to speak to Mr. Norman.”

“You had?” Roger echoed the question in Walter’s mind.

“Yes, I would like some advice.” Her hands were twisting in a nervous sort of fashion. “About a condition.”

What was she about?

“You wish to speak to him because he is a physician?” Mrs. Shelton’s tone was incredulous.

Grace’s head bobbed up and down as she pulled her lower lip between her teeth. Walter would put ten pounds on it that the chit was lying.

“You did not know he was a physician until just now,” Mrs. Clayton said.

“But he looked like one,” Grace declared.

“He looked like one?” Skepticism filled Roger’s question. Apparently, no one else quite believed Miss Love’s story any more than Walter did.

[from Her Secret Beau]


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Walking Dress (c. 1803/1804)

Fashion Plate (Walking Dress). England, early 19th century, between circa 1803 and circa 1804. Possibly from Madame Lanchester’s 1803-1804 La Miroir de la Mode. The drawing was copied and reused in October 1812 in La Belle Assemblée with a fur-trimmed pelisse and other slightly changed details. Los Angeles County Museum of Art, Public domain, via Wikimedia Commons

Mary saw the horse only a moment before it rose in the air. She had been so caught in her imagination and so certain the horses would stay to their path racing along the adjoining field that she had not expected one of them to approach her. With a startled cry, Mary jumped to the side, but not with any sort of grace. Her ankle rolled, sending her sprawling on the ground. The hedge snagged her bonnet as she fell, yanking it from her head and freeing a hairpin or two so that a portion of her hair fell in waves to her shoulders.

“Blast,” she muttered as she sat up and rotated one wrist and then the other. They hurt but had not sustained any significant damage from catching her on landing. Her gloves, however, were not so fortunate. One had a rip across the palm, and both were covered in soil, as was her skirt, which she flicked quickly to cover her legs.

“Are you injured?” Fred knelt beside her. “I did not see you there.” He took Mary’s arm as she attempted to rise with some grace.

“My glove is ruined.” She winced as she stood. “And my ankle…ooh,” she moaned a bit as she tried putting her weight on it. It was tender but not broken.

Fred wrapped an arm around her waist.

Mary pulled away. “Sir, please.”

“I only wish to help.”

“Then fetch my hat while I straighten my clothing and assess if there are any further injuries.” She gave him a stern look that begged him to comply. It was the look she had used with limited success on Lydia. Thankfully, this handsome young man did not seem so stubborn as her younger sister and complied. Mary brushed dirt from her skirt and took a limping step. Her left hip was nearly as sore as her ankle.

[from A Very Mary Christmas by Leenie Brown]


A Very Mary Christmas is one of the five novellas in this Cottage Collection.

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Walking Dress (1814)

Fashion Plate (Walking Dress). Rudolph Ackermann. England, London, August 1814. Hand-colored engraving on paper. Los Angeles County Museum of Art, Public domain, via Wikimedia Commons

“I had thought her father would bring something for her to wear.”

“If she wakes before he arrives, she cannot get out of bed.”  He intentionally looked away from Bingley as he said it.  He could feel his face and ears growing warmer as he thought of why she could not get out of bed.  His shirt was plenty large and hung to her knees or nearly so, but the way it draped around her body and its ability to only mask what lay beneath made it far from decent. “She is not exactly dressed for company.”  He pulled his hat down as Bingley chuckled softly.  “I will rinse her clothes in the rain as best I can and then wash them in the water you prepare.” He opened the door and stepped outside.

Darcy placed a bucket of rainwater inside the door and waited while Bingley found a basin and then emptied the water into a large pot for heating before returning the bucket to Darcy.

Darcy tugged the door shut and returned the bucket to where it could collect water and be reached without venturing too far into the rain to retrieve it.  Then, he placed Elizabeth’s clothing on the portion of the woodpile that was exposed to the wind and rain where the roof of the structure built to keep the wood dry was broken and partially missing.  Bingley would need to fix that as soon as possible if he wished to have a place to escape his sister and enough wood to keep him warm and fed while hiding.

Darcy rubbed the fabric of Elizabeth’s stockings, trying to help the rain remove the stains of mud and blood.  Then, setting them aside, he attended to her chemise and petticoat before working on her dress.  Try as he might, he could not keep his mind from wandering to the wearer of the garments.

from Waking to Mr. Darcy


Waking to Mr. Darcy is one of the five novellas in this Cottage Collection.

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Bonchurch Old Church (A. Heaton Cooper)

“Bonchurch Old Church, Near Ventor” (From the book Isle of Wight), painted by A. Heaton Cooper. 1908. Public domain, via Wikimedia Commons

“Lucy, I am here to offer comfort to you, not garner your praise.” He (Philip) chuckled.

“Passing on my father’s praise gives me comfort. It makes it seem less like he is gone.”

“Then, I shall attempt to receive his compliments graciously.” He leaned back and looked toward the grave next to which she had been kneeling. “You said you were sharing news with your father. Is it anything with which I could be of assistance?”

She tilted her head and gave him a searching look. She had promised her father that she would speak to each of the men on his list. However, she had intended to do so with her Aunt Tess present, not while alone in a churchyard.

[from And Then Love]


Willow Hall, book 1